2. This landscape, which Van Gogh describes as
Michel-like, occurs in a passage in which Hetty sets out on a desperate search for Arthur after he has broken off their relationship: ‘The next morning she ... set out to walk on the road towards Ashby, under a leaden-coloured sky, with a narrowing streak of yellow, like a departing hope on the edge of the horizon ... For the first few miles out of Stoniton she walked on bravely, always fixing on some tree or gate or projecting bush at the most distant visible point in the road as a goal, and feeling a faint joy when she had reached it.’ Later on, when Hetty looks for a pond in which to drown herself,
Eliot writes: ‘At last she was among the fields she had been dreaming of, on a long narrow pathway leading towards a wood ... No, it was not a wood, only a wild brake, where there had once been gravel-pits, leaving mounds and hollows studded with brushwood and small trees ... The afternoon was far advanced, and the leaden sky was darkening, as if the sun were setting behind it.’ George Eliot,
Adam Bede. 2 vols. Edinburgh and London 1859, vol. 2, chapter 36 (pp. 125-126), chapter 37 (p. 145).