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89 letters found

011 To Theo van Gogh. London, Sunday, 20 July 1873.
in translation:
...ose work is splendid, something like Diaz and Daubigny. And Reynolds and Gainsborough, who mostly pai...
017 To Theo van Gogh. London, beginning of January 1874.
in translation:
...ul Huet, Corot, Schreyer, Jacque, Otto Weber, Daubigny, Wahlberg, Bernier, Emile Breton, Chenu, Césa...
029 To Theo van Gogh. London, between Monday, 4 January and Friday, 5 March 1875.
in note 11:
The five works by Jacob van Ruisdael were Landscape, Grove of trees, Entrance to a wood, Landscape: w...
in translation:
...l things at the moment: Jules Dupré, Michel, Daubigny, Maris, Israëls, Mauve, Bisschop, &c. We’re...
...t twilight, you can imagine the sentiment. 5 Ruisdaels, 1 Frans Hals, Van Dyck. A landscape with fig...
034 To Theo van Gogh. Paris, Monday, 31 May 1875.
in note 4:
The paintings in question are Jacob van Ruisdael’s The bush; The storm (this is what Van Gogh proba...
in translation:
The Ruisdaels in the Louvre are magnificent, especially ‘The bush’, ‘The breakwater’ and ‘T...
035 To Theo van Gogh. Paris, Saturday, 19 June 1875.
in note 5:
Charles-François Daubigny, Le buisson (The bush), etching (after Jacob van Ruisdael) of 1855. Ill. 1...
...y, Le buisson (The bush), etching (after Jacob van Ruisdael) of 1855. Ill. 1717. In letter 156, Van G...
in translation:
...back to me incessantly’, also an etching by Daubigny after Ruisdael’s ‘Bush’, a lithograph af...
...ssantly’, also an etching by Daubigny after Ruisdael’s ‘Bush’, a lithograph after Corot’s �...
037 To Theo van Gogh. Paris, Tuesday, 6 July 1875.
in note 3:
...aching fields of Overveen Van Gogh possessed. Ruisdael painted a number of panoramas of Haarlem and i...
in note 2:
Daubigny’s etching after Jacob van Ruisdael's The bush. See letter 35, n. 5.
Daubigny’s etching after Jacob van Ruisdael's The bush. See letter 35, n. 5.
in note 18:
Charles-François Daubigny, L’Aurore, coq chantant (Dawn, cock crowing) was published around 1858 b...
in translation:
Daubigny Dawn (cock crowing)
Ruisdael The bush
054 To Theo van Gogh. Paris, Wednesday, 6 October 1875.
in note 13:
This could be either of two etchings by Daubigny: one after Soleil couché (Setting sun) by J. Veyras...
in translation:
...ine days, Frère, Seamstresses, and A cooper, Daubigny, After sunset, &c. &c., as well as a couple of...
055 To Theo van Gogh. Paris, Monday, 11 October 1875.
in note 14:
Charles-François Daubigny, Spring, 1857 (Paris, Musée du Louvre). Ill. 1755. Autumn is probably Loc...
in translation:
Daubigny, Spring and Autumn
066 To Theo van Gogh. Paris, on or about Monday, 17 January 1876.
in translation:
...raph after Cabat for you. Cabat is a lot like Ruisdael, there are two magnificent paintings by him in...
087 To Theo van Gogh. Isleworth, Wednesday, 2 August 1876.
in translation:
...ide there were splendid villas with their gardens. It was a sky like Ruisdael or Constable paint it.
102 To Theo van Gogh. Dordrecht, Wednesday, 7 and Thursday, 8 February 1877.
in translation:
...a and sky – the harbour with old boats like Daubigny paints them, with brown nets and sails, the sm...
114 To Theo van Gogh. Amsterdam, Saturday, 19 May 1877.
in translation:
...me after us. Whenever I look at a painting by Ruisdael, Van Goyen, Bosboom and so many others, I alwa...
120 To Theo van Gogh. Amsterdam, Tuesday, 12 June 1877.
in translation:
... lightning, the sky looked like a painting by Ruisdael, and the gulls were flying low over the water....
126 To Theo van Gogh. Amsterdam, Sunday, 5 August 1877.
in translation:
... the lithograph and woodcut made after it) by Daubigny, The Marie bridge, I thought of that. I like t...
... it in the illustration after the painting by Ruisdael, Haarlem and Overveen, that painter knew it to...
in note 22:
For the print after Jacob van Ruisdael, The bleaching fields at Overveen, cf. letter 37, n. 3.
in note 27:
Charles-François Daubigny, Le pont Marie (The Marie bridge). Lithograph by Emile Louis Vernier, 1870...
133 To Theo van Gogh. Amsterdam, Tuesday, 30 October 1877.
in translation:
...t book at Uncle’s, the engraved oeuvre of C. Daubigny. Went from there to Uncle Stricker’s, Uncl...
in note 59:
...n gives an overview of the career of Charles-François Daubigny as a painter and engraver. It is foll...
137 To Theo van Gogh. Amsterdam, Sunday, 9 December 1877.
in note 15:
One of Jacob van Ruisdael’s paintings in which the Church of St Bavo features prominently is the Vi...
in translation:
...re in this morning’s hymn, and that’s how Ruisdael painted it too, and Millet in the painting in ...
140 To Theo van Gogh. Amsterdam, Sunday, 10 February 1878.
in note 19:
...Beach view) by Adolf Carel Nunnink after Jacob van Ruisdael appeared in Kunstkronijk 14 (1873), NS, b...
in translation:
...e often? Perhaps it’s like that painting by Ruisdael in the museum in The Hague. Do you have the li...
142 To Theo van Gogh. Amsterdam, Sunday, 3 March 1878.
in note 8:
For Daubigny’s print after Ruisdael’s The bush, see letter 35, n. 5. This print and his Le coup d...
For Daubigny’s print after Ruisdael’s The bush, see letter 35, n. 5. This print and his Le coup d...
in note 3:
Charles-François Daubigny died on 19 February 1878 in Paris.
in translation:
...nd out better than before. Uncle told me that Daubigny has died, I freely admit that it made me sad t...
When Uncle told me about Daubigny, his etchings after Ruisdael, The bush and The ray of sunlight, cam...
...le told me about Daubigny, his etchings after Ruisdael, The bush and The ray of sunlight, came to min...
152 To Theo van Gogh. Wasmes, on or about Thursday, 19 June 1879.
in translation:
...nd one of paintings by Rembrandt or Michel or Ruisdael. But on the occasion of that storm in the pitc...
156 To Theo van Gogh. Cuesmes, Friday, 20 August 1880.
in note 8:
...5, n. 5, for the etching The bush by Charles-François Daubigny after Jacob van Ruisdael; cf. Chalcog...
...bush by Charles-François Daubigny after Jacob van Ruisdael; cf. Chalcographie 1954, p. 29, no. 848 (...
in translation:
...sheet that I’d be immensely glad to have is Daubigny’s large etching after Ruisdael, The bush, wh...
...d to have is Daubigny’s large etching after Ruisdael, The bush, which is on sale at the print-shop ...
157 To Theo van Gogh. Cuesmes, Tuesday, 7 September 1880.
in note 7:
For the etching The bush, made by Daubigny after Jacob van Ruisdael, see letter 35, n. 5.
For the etching The bush, made by Daubigny after Jacob van Ruisdael, see letter 35, n. 5.
in translation:
...as I’ve already told you, really like to do Ruisdael’s The bush, too. You know that these two lan...
158 To Theo van Gogh. Cuesmes, Friday, 24 September 1880.
in note 7:
...ed Théodore Rousseau, Jules Dupré, Charles-François Daubigny, Narcisse Virgile Diaz de la Peña, C...
in note 1:
For Daubigny’s etching The bush after Jacob van Ruisdael, see letter 35, n. 5.
For Daubigny’s etching The bush after Jacob van Ruisdael, see letter 35, n. 5.
in note 16:
...ith regard to flights of crows in the work of Daubigny, Van Gogh could have been thinking of Les corb...
in translation:
...most, the masterly etching, The bush, by Daubigny/Ruisdael. That’s it! I plan to do two drawings, ...
...�� it’s true — but if you compare it with Daubigny’s etching, you’ll understand that it becom...
...akespeare is to Charles Dickens or to V. Hugo what Ruisdael is to Daubigny, and Rembrandt to Millet.
... hosts of crows, famous from the paintings of Daubigny and Millet. Not to mention first of all, as on...
...akespeare is to Charles Dickens or to V. Hugo what Ruisdael is to Daubigny, and Rembrandt to Millet.
159 To Theo van Gogh. Brussels, Friday, 15 October 1880.
in note 6:
For Ruisdael’s The bush, see letter 35, n. 5.
in translation:
As for the drawing after Ruisdael’s Bush, I’d above all like to work at it in pen, and am prepari...
166 To Theo van Gogh. Etten, on or about Saturday, 30 April or Sunday, 1 May 1881.
in note 7:
...Royal Collection. Maris’s work was often linked to that of Ruisdael. Cf. exhib. cat. Haarlem 2003.
in translation:
...s, 1 J. Maris, dunes, just like a painting by Ruisdael or Van de Velde. Then J.H. Weissenbruch, super...
222 To Theo van Gogh. The Hague, Monday, 1 May 1882.
in note 8:
Both Jacob van Ruisdael and Jan van Goyen drew in black chalk and not in charcoal. It is no wonder th...
in translation:
...capes as well, I see that such draughtsmen as Ruisdael, Van Goyen and Calame, Roelofs too, among the ...
232 To Anthon van Rappard. The Hague, Sunday, 28 May 1882.
in note 7:
For View of Haarlem with bleaching grounds by Jacob van Ruisdael, see letter 37, n. 3.
in translation:
...ningen &c., for example. They’re splendidly Ruisdael-like (I mean like that painting, The bleaching...
238 To Theo van Gogh. The Hague, Friday, 9 June 1882.
in translation:
... in the evening and morning above all by the light effect like, for example, a Ruisdael or Vermeer.
245 To Theo van Gogh. The Hague, Thursday, 6 and Friday, 7 July 1882.
in note 7:
For this print after Jacob van Ruisdael, The bush, see letter 35, n. 5.
in translation:
... sower and The diggers by Millet, The bush by Ruisdael, and splendid, big wood engravings by Herkomer...
246 To Theo van Gogh. The Hague, Saturday, 15 and Sunday, 16 July 1882.
in note 16:
...’s description doubtless refers to Charles-François Daubigny’s Dorp in Frankrijk (Un chemin à A...
in translation:
...many beautiful things there by Dupré, Corot, Daubigny, Diaz, Courbet, Breton, Jacque &c. I especiall...
...a Daubigny, big thatched roofs against the slope of a hill, that I couldn’t get enough of.Daubigny
249 To Theo van Gogh. The Hague, on or about Friday, 21 July 1882.
in note 12:
For Jacob van Ruisdael’s View of Haarlem with bleaching grounds, see letter 37, n. 3.
in translation:
...Millais and the Overveen bleaching grounds by Ruisdael, for example. And equally between the Irish em...
Rembrandt and Ruisdael are sublime, for us as much as for their contemporaries, but there’s somethi...
256 To Anthon van Rappard. The Hague, Sunday, 13 August 1882.
in translation:
...on of French art from private collections — Daubigny, Corot, Jules Dupré, Jules Breton, Courbet, D...
258 To Theo van Gogh. The Hague, Sunday, 20 August 1882.
in note 11:
...ld have acquired his knowledge of the life of Daubigny from the many articles about him in, for examp...
in translation:
...ad the life of père Millet or T. Rousseau or Daubigny. When you read Sensier’s book about Millet y...
272 To Theo van Gogh. The Hague, Sunday, 15 October 1882.
in note 7:
...owing conversation: ‘One day, Corot said to Daubigny: I’m not happy: I lack skill. What do you me...
280 To Theo van Gogh. The Hague, Sunday, 5 November 1882.
in translation:
...h longer — Millet, Brion, Troyon, Rousseau, Daubigny, Corot — and a host of others — are no mor...
286 To Theo van Gogh. The Hague, Friday, 24 November 1882.
in translation:
...’m speaking of the time when Corot, Millet, Daubigny, Jacque, Breton, were young, in Holland Israë...
288 To Theo van Gogh. The Hague, Sunday, 26 and Monday, 27 November 1882.
in translation:
.... I believe, by the way, that Jules Dupré or Daubigny also often tried to arouse those thoughts in t...
291 To Theo van Gogh. The Hague, between Monday, 4 and Saturday, 9 December 1882.
in note 14:
...cape art of Aelbert Cuyp, Jan van Goyen, Jacob van Ruisdael and Meindert Hobbema among others. Inspir...
in translation:
...nd Michel. How beautiful an Isaac Ostade or a Ruisdael is. Do I want them back, or do I want them to ...
305 To Theo van Gogh. The Hague, Friday, 26 or Saturday, 27 January 1883.
in note 14:
Charles-François Daubigny, Le grand parc à moutons (The large sheep pasture), after the painting at...
in translation:
...hers by Feyen-Perrin and the Sheep pasture by Daubigny and the Bracquemonds and so many others — ha...
...What the etching needle could do was shown by Daubigny, Millet, Feyen-Perrin, and many others, just a...
325 To Anthon van Rappard. The Hague, on or about Monday, 5 March 1883.
in note 31:
...rs a strong resemblance to the description of Ruisdael’s oeuvre by E.J.T. Thoré (under the pseudon...
in note 30:
For Jacob van Ruisdael’s View of Haarlem with bleaching grounds, see letter 37, n. 3.
in translation:
..., but it doesn’t remind me all that much of Ruisdael, for example, and on reflection that may not b...
...r Ruisdael. Still, I may be mistaken or see more in him later, nothing would please me more.Ruisdael
I know Ruisdael himself had his metamorphoses, and his finest works may not be the waterfalls and gra...
... I don’t exactly see the likes of Millet or Ruisdael in him. For the time being I find it like Bild...
in note 29:
Jacob van Ruisdael, The windmill at Wijk bij Duurstede (Amsterdam, Rijksmuseum). Ill. 1312. Also from...
in note 28:
For Jacob van Ruisdael’s The storm and The bush in the Louvre, see letter 34, n. 4.
333 To Theo van Gogh. The Hague, on or about Thursday, 29 March and Sunday, 1 April 1883.
in note 8:
...hographs after the works of Millet, Corot and Daubigny. For an overview, see Béraldi 1885-1892, vol....
in translation:
...s by Emile Vernier after Millet and Corot and Daubigny have qualities I rate very highly. How one wou...
356 To Theo van Gogh. The Hague, Friday, 22 June 1883.
in translation:
...st as I do if you saw it. There’s nothing more beautiful than nature early in the morning.Daubigny
358 To Theo van Gogh. The Hague, Monday, 2 July 1883.
in translation:
... most absurd things were said, Millet, Corot, Daubigny, etc., who were regarded more or less the way ...
360 To Theo van Gogh, The Hague, on or about Saturday, 7 July 1883.
in translation:
... the hallmark of Corot and Rousseau and Diaz, Daubigny, Dupré. What they all have in common, in my v...
361 To Theo van Gogh, The Hague, on or about Wednesday, 11 July 1883.
in note 6:
For Jacob van Ruisdael’s The bush, see letter 34, n. 4.
in translation:
Ruisdael’s Bush has it strongly too.
367 To Theo van Gogh, The Hague, on or about Wednesday, 25 July 1883.
in note 12:
...mile Zola had written in Mon Salon: ‘Ask M. Daubigny which are the paintings he sells most easily. ...
in translation:
...would find it hard to say in what sense, but Daubigny’s words, ‘my paintings that I value more h...
369 To Theo van Gogh, The Hague, Sunday, 29 and Monday, 30 July 1883.
in note 3:
For Jacob van Ruisdael’s The bush, see letter 34, n. 4.
in note 6:
In 1838, at the age of 21, Charles-François Daubigny became a pupil of Paul Delaroche. In that year ...
in translation:
.... If one wants to see something that evokes a Daubigny, a Corot atmosphere, one must go further along...
...e Scheveningen was at the time when the first Daubignys appeared, and surroundings, I think, that wer...
... the great revolution in art of which Millet, Daubigny, Breton, Troyon, Corot are the leaders, then I...
...e old figures from the time of the beginning, Daubigny. It wouldn’t surprise me if you were also to...
...ore than one makes one think: Oh, now this is Ruisdael’s Bush. One can now get there by the steam t...
...racter started. At that time things were more Ruisdael-like than now. If one wants to see something t...
... a poor shell cart on the white road, and then bushes that all looked like ‘Ruisdael’s Bush’.
372 To Theo van Gogh. The Hague, Sunday, 12 or Monday, 13 August 1883.
in note 3:
...about discovering this spot in letter 369. For Jacob van Ruisdael’s The bush, see letter 34, n. 4.
in translation:
...ther. Did I write to you that I had found thorn-bushes at Loosduinen exactly like Ruisdael’s Bush?
381 To Theo van Gogh. The Hague, on or about Wednesday, 5 September 1883.
in translation:
... a Dupré, for instance, and so beautiful that one’s imagination always falls short of it.Daubigny
... a Dupré, for instance, and so beautiful that one’s imagination always falls short of it.Ruisdael
392 To Theo van Gogh. Nieuw-Amsterdam, on or about Wednesday, 3 October 1883.
in note 8:
Three Salon works by Charles-François Daubigny – engraved by Ernest Philippe Boetzel – are known...
in translation:
...rdinarily beautiful this evening. There’s a Daubigny in one of the Albums Boetzel that expresses th...
393 To Theo van Gogh. Nieuw-Amsterdam, on or about Sunday, 7 October 1883.
in note 3:
See for Jacob van Ruisdael’s View of Haarlem with bleaching grounds: letter 37, n. 3. After the wor...
in translation:
...caying roots, it was absolutely melancholy and dramatic, just like Ruisdael, just like Jules Dupré.
I saw an effect exactly like Ruisdael’s Bleaching fields at Overveen: foreground a high road shadow...
401 To Theo van Gogh. Nieuw-Amsterdam, on or about Wednesday, 31 October 1883.
in translation:
...s if you were living in the age of Van Goyen, Ruisdael, Michel; in short, in what one scarcely finds ...
403 To Theo van Gogh. Nieuw-Amsterdam, on or about Monday, 5 November 1883.
in translation:
...ery greatest simplicity and truth — Dupré, Daubigny, Corot, Millet, Israëls, Herkomer — not to ...
...a deep, deep, deep respect for Millet, Corot, Daubigny, Breton, Herkomer, Boughton, Jules Dupré &c. ...
435 To Anthon van Rappard. Nuenen, on or about Saturday, 8 March 1884.
in translation:
Twilight (To Charles Daubigny)Charles Daubigny
436 To Theo van Gogh. Nuenen, Monday, 10 March 1884.
in translation:
... isolated case. But in Millet, Dupré, Corot, Daubigny’s own time, when they were young — come on...
439 To Anthon van Rappard. Nuenen, on or about Tuesday, 18 March 1884.
in translation:
...nique? Certainly not. If one takes a Corot, a Daubigny, a Dupré, a Millet or an Israëls — fellows...
450 To Theo van Gogh. Nuenen, mid-June 1884.
in note 7:
...ters 55, n. 9 and 66, n. 6). Given the comparison with Ruisdael, he appears to mean the former work.
in note 6:
...ere he argues that the moderns have abandoned Ruisdael’s view of the function of atmosphere and ski...
in translation:
... tone. Which Mauve does; but Ruisdael doesn’t do it, Dupré doesn’t do it. Corot and Daubigny???
...rhaps even more of a colourist than Corot and Daubigny, although they both are too, and Daubigny real...
...nted in the local tone. Which Mauve does; but Ruisdael doesn’t do it, Dupré doesn’t do it. Corot...
Fromentin says of Ruisdael that people nowadays are much more advanced in technique than he was. They...
483 To Theo van Gogh. Nuenen, between about Thursday, 5 and about Thursday, 26 February 1885.
in translation:
...nderstand, though, that there are people like Daubigny and Harpignies and Ruisdael and so many others...
...e are people like Daubigny and Harpignies and Ruisdael and so many others, who are absolutely and irr...
497 To Theo van Gogh. Nuenen, Thursday, 30 April 1885.
in note 6:
...re this (letter 450), Fromentin observed that Ruisdael’s The mill at Wijk bij Duurstede, composed o...
499 To Theo van Gogh. Nuenen, on or about Saturday, 2 May 1885.
in translation:
...I’m certain that if you were to ask Millet, Daubigny, Corot to paint a snowy landscape without usin...
...great deal about the question. Corot, Millet, Daubigny, Israëls, Dupré, others — also paint light...
500 To Theo van Gogh. Nuenen, Monday, 4 and Tuesday, 5 May 1885.
in translation:
On the contrary — you see so many Daubignys, Corots, Millets, Dupré, Israëls, Herkomer, Breton &c...
...eople use more white than Millet or Dupré or Daubigny or Corot. You’d be doing me a favour if you ...
516 To Anthon van Rappard. Nuenen, on or about Wednesday, 15 July 1885.
in translation:
...ose French fellows — Millet, Dupré, Corot, Daubigny, tend to have that in common with one another....
526 To Anthon van Rappard. Nuenen, between about Saturday, 8 and about Saturday, 15 August 1885.
in translation:
...ters are. A Millet, Delacroix, Corot, Troyon, Daubigny, Rousseau, and a Daumier or a Jacque, and abov...
535 To Theo van Gogh. Nuenen, on or about Tuesday, 13 October 1885.
in note 13:
See for Ruisdael’s The bush: letter 34, n. 4.
in note 11:
See for Jacob van Ruisdael’s The windmill at Wijk bij Duurstede: letter 325, n. 29. The work was in...
in translation:
...s far as possible just put it straight down — and didn’t come back to it so very much. Ruisdael
Is the Ruisdael in the Van der Hoop, the one with the mill, not outdoors? Is there no sky in it and v...
...t of Hals, in front of Rembrandt, in front of Ruisdael and others, I thought constantly of that sayin...
537 To Theo van Gogh. Nuenen, on or about Wednesday, 28 October 1885.
in translation:
Delacroix, Millet, Corot, Dupré, Daubigny, Breton, 30 more names, do they not form the heart of this...
538 To Theo van Gogh. Nuenen, Tuesday, 3 or Wednesday, 4 November 1885.
in translation:
Daubigny and Dupré, on the other hand, endure. Isn’t it curious that the Vermeer of Delft in The H...
559 To Theo van Gogh. Antwerp, on or about Saturday, 6 February 1886.
in translation:
...illets, Duprés, Troyons, Bretons, Rousseaux, Daubignys — very well — but a decline so full of ch...
569 To Horace Mann Livens, Paris, September or October 1886.
in translation:
... great dealers sell Millet, Delacroix, Corot, Daubigny, Dupré, a few other masters at exorbitant pri...
575 To Emile Bernard. Paris, about December 1887.
in note 5:
...Guillaumin’s address. It had previously been the studio of the painter Charles-François Daubigny.
588 To Theo van Gogh. Arles, Wednesday, 21 or Thursday, 22 March 1888.
in translation:
...n energy and a perseverance worthy of Millet, Daubigny and others. But let me know if Tersteeg has wr...
623 To Theo van Gogh. Arles, Tuesday, 12 June 1888.
in translation:
...� like me, you’d be very surprised to see that it has a character absolutely à la Ruisdael.
630 To Theo van Gogh. Arles, Saturday, 23 June 1888.
in translation:
...at — only one thinks more of the Holland of Ruisdael and Hobbema and Ostade rather than the Holland...
635 To Theo van Gogh. Arles, on or about Sunday, 1 July 1888.
in translation:
...he other hand, Monticellis, Daumiers, Corots, Daubignys and Millets aren’t ugly because in many cas...
639 To Theo van Gogh. Arles, on or about Friday, 13 July 1888.
in translation:
...phere — make me think of the old Holland of Ruisdael’s day. It seems to me that these two sites i...
642 To Theo van Gogh. Arles, Sunday, 15 July 1888.
in translation:
...eeks, like our old Dutchmen, Rembrandt, Potter, Hals, Vermeer, Ostade, Ruisdael. It doesn’t end.
643 To Emile Bernard. Arles, between Tuesday, 17 and Friday, 20 July 1888.
in translation:
...ts us deeply when we know how to look at a corner of old Holland through their temperament. Ruisdael
644 To Theo van Gogh. Arles, between Tuesday, 17 and Friday, 20 July 1888.
in translation:
... — is it the effect of nature down here, so Ruisdaelesque? — I quite often think of Holland, and ...
651 To Emile Bernard. Arles, Monday, 30 July 1888.
in translation:
...ch, Bol; and those influenced by him, Potter, Ruisdael, Ostade, Ter Borch. I mention Fabritius to you...
660 To Theo van Gogh. Arles, on or about Monday, 13 August 1888.
in note 14:
... for Bongrand were Gustave Flaubert, Charles-François Daubigny, Gustave Courbet and Edouard Manet. S...
667 To Willemien van Gogh. Arles, Tuesday, 21 or Wednesday, 22 August 1888.
in translation:
...t an idea of what a Millet, a Jules Breton, a Daubigny, a Corot is. You can keep the rest. Except —...
721 To Theo van Gogh. Arles, on or about Monday, 19 November 1888.
in note 7:
...e, especially on painting. He admires Daudet, Daubigny, Ziem and the great Rousseau, all of them peop...
768 To Theo van Gogh. Arles, Friday, 3 May 1889.
in translation:
...nce to their present-day equivalents? Why are Daubigny and Quost and Jeannin not colourists for examp...
777 To Theo van Gogh. Saint-Rémy-de-Provence, between about Friday, 31 May and about Thursday, 6 June 1889.
in translation:
...chool of Delacroix, Millet, Rousseau, Dupré, Daubigny, just as much as in the current one or even in...
... but the morning star, which looked very big. Daubigny and Rousseau did that, though, with the expres...
779 To Theo van Gogh. Saint-Rémy-de-Provence, Sunday, 9 June 1889.
in translation:
...any things in the landscape here often recall Ruisdael, but the figure of the ploughman is lacking. I...
800 To Theo van Gogh. Saint-Rémy-de-Provence, Thursday, 5 and Friday, 6 September 1889.
in translation:
...– that had a grain of truth, because Corot, Daubigny, Dupré, Rousseau – Millet as a landscape pa...
875 To Theo van Gogh and Jo van Gogh-Bonger. Auvers-sur-Oise, Sunday, 25 May 1890.
in translation:
...ntryside, but nevertheless, how changed since Daubigny. But not changed in an unpleasant way, there a...
RM21 To Joseph Jacob Isaäcson. Auvers-sur-Oise, Sunday, 25 May 1890.
in note 3:
Charles-François Daubigny is considered a forerunner of Impressionism. Normandian apple trees are a ...
in translation:
...they have painted the Norman apple tree since Daubigny and César de Cock. The effect of daylight, of...
889 To Theo van Gogh. Auvers-sur-Oise, Tuesday, 17 June 1890.
in note 10:
For Daubigny’s house, where his widow still lived, see letter 874, n. 5. Vincent’s plans for a la...
in translation:
...e important canvas of Daubigny’s house and garden, of which I already have a small study. Daubigny
898 To Theo van Gogh and Jo van Gogh-Bonger. Auvers-sur-Oise, on or about Thursday, 10 July 1890.
in note 5:
Van Gogh painted two large canvases of Daubigny’s garden: Daubigny’s garden (F 776 / JH 2104) and...
in translation:
Now the third canvas is Daubigny’s garden, a painting I’d been thinking about ever since I’ve...
902 To Theo van Gogh. Auvers-sur-Oise, Wednesday, 23 July 1890.
in note 7:
... made. Van Gogh painted two large canvases of Daubigny’s garden: Daubigny’s garden (F 776 / JH 21...
in translation:
Perhaps you’ll see this croquis of Daubigny’s garden – it’s one of my most deliberate canvase...
Daubigny’s gardenDaubigny

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1 essay item found

Van Gogh as a letter-writer / Strategies and rhetoric
in letter_writer_4:
...tly compared De Bock’s work to that of Jacob van Ruisdael, but that was going a bit too far for Van...

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89 letters and 1 essay item found

89 letters found

1 essay item found

No other items found

Vincent van Gogh, The Letters