1. Regarding the batch of paintings Gauguin sent to Theo from Pont-Aven, see letter 704, n. 1.
2. Paul Gauguin, Human miseries, 1888 (W317/W304) (Copenhagen, Ordrupgaard Sammlungen). Ill. 2242 [2242].
[2242]
3. For Gauguin’s Night café, Arles, see letter 716, n. 4. Van Gogh’s painting of the Café de la Gare is The night café (F 463 / JH 1575 [2711]).
[2711]
4. The Alyscamps (‘Leaf-fall’) (F 486 / JH 1620 [2741]) and The Alyscamps (‘Leaf-fall’) (F 487 / JH 1621 [2742]). Gauguin had written to Bernard that the canvases were hanging in his room; see letter 716.
[2741] [2742]
5. The red vineyard (F 495 / JH 1626 [2745]).
[2745]
6. Marie Ginoux (‘The Arlésienne’) (F 489 / JH 1625 [2744]). See exhib. cat. Chicago 2001, p. 186. Marie Ginoux, the wife of the cafe’s proprietor, posed for this portrait.
[2744]
7. Regarding this coarse jute, see letter 716, n. 8.
8. Theo had sent two photographs of drawings by De Haan; see letter 708.
9. It had been agreed that Theo would send 300 francs a month (150 francs for each), in three 100-franc instalments. It is most likely that Theo reverted to the system that he and Vincent had used earlier for three monthly payments (starting in June 1882; see letter 234). This meant that Vincent usually received his allowance in instalments arriving around the 1st, 11th and 21st of every month, though sometimes a payment was deferred. Theo thus sent money three times a month in November and December 1888. See also Dorn 1990, p. 479.
10. The Alyscamps (‘Leaf-fall’) (F 487 / JH 1621 [2742]). The location described by Van Gogh is the Roman burial ground Les Alyscamps (the Elysian Fields or Champs-Elysées), to the south-east of Arles.
[2742]
11. The Alyscamps (‘Leaf-fall’) (F 486 / JH 1620 [2741]).
[2741]
12. De Haan and Isaäcson.
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