8. For this poor area of The Hague, see exhib. cat. The Hague 1990, pp. 46 (ill. 49), 50-51 (ill. 56-58). Whitechapel was a poor area in London.
9.Mary Ellen Edwards, also known as Mrs. Freer (in the years 1866-1869) and as Mrs. Staples (from 1872-?). Van Gogh confused her and the etcher Edwin Edwards now and then. In the estate there are eight prints from The Graphic (1871-1872) after works by Mary Ellen Edwards.
14. Cf. for this quotation Dickens’s: ‘We have sketched this subject very slightly, not only because our limits compel us to do so, but because, if it were pursued farther, it would be painful and repulsive’. Charles Dickens, Sketches by Boz, ‘Scenes’, chapter 22: ‘Gin shops’. Oxford etc. 1981, p. 186 (The Oxford Illustrated Dickens). Cf. letter 325, n. 40.
15. Evidently an observation by Charles Dickens Jr – it is not quoted in Forster’s biography or in Dickens’s dictionary of London, which Dickens Jr had published in 1879. It is quite possible that Van Gogh read it in one of the English magazines.
18. We cannot say for certain which writings about Millet Van Gogh already knew. Ernest Chesneau had written an article about him in the Gazette des Beaux-Arts 1875; in 1876 Alexandre Piedagnel’s J.-F. Millet had been published; and in 1877 Philippe Burty included an essay on Millet in his Maîtres et petits maîtres. See exhib. cat. Paris 1998, p. 34.