18 letters found

1. 288 To Theo van Gogh. The Hague, Sunday, 26 and Monday, 27 November 1882.

   in note 4:

   ... was right: the figure was partly based on Paul Cézanne. Lantier lives entirely for his work and as...

2. 561 To Theo van Gogh. Antwerp, on or about Thursday, 11 February 1886.

   in note 7:

   ...r l’herbe. In fact, Lantier was based on Paul Cézanne. Several other characters in the novel are ...

3. 610 To Theo van Gogh. Arles, on or about Monday, 14 May 1888.

   in note 8:

   Van Gogh had seen landscapes by Cézanne at Portier’s (see letter 624) and no doubt also at Tanguyâ...

   in translation:

   ...a blue! I must say that the few landscapes by Cézanne that I know render it very, very well, and I r...

4. 624 To Theo van Gogh. Arles, Tuesday, 12 or Wednesday, 13 June 1888.

   in note 9:

   Zola also came from Aix-en-Provence, where he had been at school with Cézanne.

   in note 8:

   ..., about 60 km to the east of Arles, was where Cézanne lived; he painted in several places in the Cra...

   in note 7:

   ...er is known to have had one other painting by Cézanne: The village street, 1872-1873 (New Haven, Yal...

   in note 6:

   Paul Cézanne, The harvest, c. 1877 (private collection). Ill. 686. Vincent and Theo saw the painting...

   in translation:

   What I’ve seen of Cézanne involuntarily comes back to mind, because he has presented the harsh sid...

   ...that in the past Portier used to say that the Cézannes that he’d had looked like nothing at all se...

   And also that the Cézannes did well in gold, which presupposes a very highly pitched range of colour...

   ...e-looking. The countryside near Aix — where Cézanne works — it’s precisely the same as here, i...

5. 633 To Emile Bernard. Arles, Wednesday, 27 June 1888.

   in translation:

   ...ld you say about them — you wouldn’t find Cézanne’s almost diffident and conscientious brushst...

   ...om time to time I couldn’t help thinking of Cézanne, particularly when I realized that his touch i...

   ...e difficulty half the time, I can explain why Cézanne’s touch is sometimes so sure and sometimes s...

6. 643 To Emile Bernard. Arles, between Tuesday, 17 and Friday, 20 July 1888.

   in translation:

   ...subjects from this nature that inspires père Cézanne. Because La Crau near Aix is roughly the same ...

   Knowing how much you love Cézanne, I thought these croquis of Provence might please you. Not that th...

7. 644 To Theo van Gogh. Arles, between Tuesday, 17 and Friday, 20 July 1888.

   in translation:

   ... the fact that the painted studies have that wild look. Because you also see it in Cézanne.

8. 655 To Emile Bernard. Arles, on or about Sunday, 5 August 1888.

   in translation:

   Cézanne is as much a respectably married man as the old Dutchmen were. If he has a good hard-on in h...

9. 707 To Theo van Gogh. Arles, Wednesday, 17 October 1888.

   in note 8:

   Cézanne went through productive periods interspersed with bouts of severe depression, when he had se...

   in translation:

   ...what I’ve just done and kick it, like père Cézanne. But after all, why kick it — let’s leave ...

10. 776 To Theo van Gogh. Saint-Rémy-de-Provence, on or about Thursday, 23 May 1889.

    in note 30:

    ... the possession of the following paintings by Cézanne: Female nude, before 1870; Mountains in Proven...

    in translation:

    ...hink that Gauguin paid more when he quite often had canvases of his own, Cézanne or Pissarro lined.

11. 792 Theo van Gogh to Vincent van Gogh. Paris, Tuesday, 16 July 1889.

    in note 8:

    ...other ‘invited artists’: Eugène Boch, Paul Cézanne, Alexandre-Louis-Marie Charpentier, Albert ...

12. 807 Theo van Gogh to Vincent van Gogh. Paris, Friday, 4 October 1889.

    in note 6:

    ...st of Paris. He was acquainted with Pissarro, Cézanne and Guillaumin, among others, and was, moreove...

13. 816 To Theo van Gogh. Saint-Rémy-de-Provence, on or about Sunday, 3 November 1889.

    in translation:

    ...country – isn’t that what distinguishes a Cézanne from something else. And Guillaumin, whom you ...

14. 819 Theo van Gogh to Vincent van Gogh. Paris, Saturday, 16 November 1889.

    in translation:

    ...۪ve invited Puvis de Chavannes, Bartholom̩, C̩zanne, Dubois-Pillet, Forain, Signac, L. Pissarro, H...

15. 825 Theo van Gogh to Vincent van Gogh. Paris, Sunday, 8 December 1889.

    in note 9:

    .... Look, here are some incomparable marvels by Cézanne! Look, here are some canvases by Vincent, extr...

16. 843 Theo van Gogh to Vincent van Gogh. Paris, Wednesday, 22 January 1890.

    in note 5:

    ...ses destined to excite artistic curiosity, Paul Cézanne’s engaging open-air studies, Vincent van ...

    in translation:

    ...reatest curiosity are the open-air studies by Cézanne, Sisley’s landscapes, Van Gogh’s symphonie...

17. 844 Paul Gauguin to Vincent van Gogh. Le Pouldu, Wednesday, 22 or Thursday, 23 January 1890.

    in note 2:

    ...isplay, as well as paintings by Manet, Degas, Cézanne, Pissarro, Sisley and Guillaumin from Gauguinâ...

18. 873 To Theo van Gogh and Jo van Gogh-Bonger. Auvers-sur-Oise, Tuesday, 20 May 1890.

    in note 4:

    Paul Cézanne, Doctor Gachet’s house, 1872-1873 (Paris, Musée d’Orsay). Ill. 685.

    in note 3:

    Paul Cézanne, Geraniums and coreopsis in a small Delft vase, 1873 (private collection), Ill. 684; an...

    in translation:

    ...he has a very fine Pissarro, winter with red house in the snow, and two fine bouquets by Cézanne.

    Also another Cézanne of the village. Myself, in my turn I’ll gladly, very gladly give a stroke of ...

1 essay item found

1. Van Gogh as a letter-writer / The letters: from conventional to personal

   in letter_writer_2:

   ...rtists like Manet, Degas, Pissarro, Monet and Cézanne had begun making their mark in the mid-1860s, ...

No other items found