898

Br. 1990: 903 | CL: 649
From: Vincent van Gogh
To: Theo van Gogh and Jo van Gogh-Bonger
Date: Auvers-sur-Oise, on or about Thursday, 10 July 1890
more...
 
 
 
close
1. This letter from Jo van Gogh-Bonger is not known.
2. Vincent is referring here to his own fragile health, as well as the health problems of Theo and his family.
3. Vincent had visited Theo and Jo in Paris on Sunday, 6 July (see letter 897). Jo wrote in the introduction to her edition of the letters: ‘In the first days of July, Vincent came again to see us in Paris; we were worn out by the child’s serious indisposition – Theo had again conceived the plan to leave Goupil in order to start a business of his own, Vincent was not satisfied with the room the paintings are stored in, so we talked about moving to a larger apartment, so they were days of worry and tension.
There were also constant visitors for Vincent, including Aurier, who had written his famous article about Vincent shortly before this, and now looked at all the work again with the painter himself, and Toulouse-Lautrec, who stayed to have lunch with us and had the biggest laugh with Vincent about an undertaker’s assistant, whom they met on the stairs. Guillaumin would also have come, but it was too much for Vincent, he didn’t wait for his visit, and went back to Auvers in great haste; overfatigued and overwrought, as appears from his last letters and from his last paintings, in which one feels imminent disaster, coming closer like the black birds that race across the field in the storm’ (Brieven 1914, pp. lxii-lxiii).
Vincent’s visit did not go smoothly. On 31 July 1890, Jo wrote to Theo: ‘If only I’d been a bit kinder to him when he was with us!’ and on 1 August: ‘How sorry I was for being impatient with him the last time’ (FR b4245 and b2060; Brief happiness 1999, pp. 276-277).
4. Van Gogh later added ‘de la solitude extrême’ (extreme loneliness). Judging by the description, the most likely possibilities are Wheatfield under troubled skies (F 778 / JH 2097 [2936]) and Wheatfield with crows (F 779 / JH 2117 [2942]); they are, moreover, the same format as the third canvas (see n. 5). Cf. also exhib. cat. New York 1986, pp. 275-276.
[2936] [2942]
5. Van Gogh painted two large canvases of Daubigny’s garden: Daubigny’s garden (F 776 / JH 2104 [2939]) and Daubigny’s garden (F 777 / JH 2105 [2940]). The one referred to here is the first version, F 777 / JH 2105 [2940]. See exhib. cat. New York, pp. 284-285.
[2939] [2940] [2940]
6. Theo, Jo and little Vincent left on 15 July for Leiden. Jo then travelled on to Amsterdam to stay with her family while she and the baby regained their strength. Theo was most likely in The Hague on 16 July. He then travelled via Antwerp to Brussels, returning to Paris on Friday evening, 18 July. He was planning to go again to the Netherlands and spend his holidays there with his family (see Brief happiness 1999, pp. 245-248, and letter 901).
7. Van Gogh’s furniture from Arles had been sent by the Ginouxs to Auvers (see letter 882).
8. The sculptor Elisabeth Sara Clasina de Swart (see Brieven 1914, vol. 3, p. 461). Vincent had met her on Sunday, 6 July.
9. For Toulouse-Lautrec’s Mademoiselle Dihau at the piano [0], about which Theo had written earlier, see letter 858, n. 8. Van Gogh must have seen it during his visit to Paris. His surprised reaction can perhaps be explained by the fact that he had painted the same subject a short while before in Marguerite Gachet at the piano (F 772 / JH 2048 [2932]).
[0] [2932]