1. Van Gogh usually looked for models among the Protestant parishioners. In 1924 Piet Kaufmann stated that he had posed for Van Gogh ‘some thirty to fifty times’ (Stokvis 1926, pp. 19-21). In 1934 Kaufmann had his memoirs recorded in detail by Frans Schuerweghs. He said that he had posed dozens of times in numerous places: ‘beneath a row of trees’, probably also ‘with a wheelbarrow’, ‘at the willows, under the apple tree’, as a ‘sower’, ‘as a man with a spade ... under the apple tree at “De IJzeren Pot”, the farm where I lived’, and ‘in Roosendaalseweg with a hoe’ ... Whenever I posed and the work was finished, Vincent asked how much he owed me. I answered: “Nothing, Vincent”. “Well, Piet, then we’re done,” he would say, satisfied...’. Kaufmann, in any case, is assumed to have posed for the following drawings: Boy cutting grass with a sickle (F 851 / JH 61 ), Digger (F 855 / JH 43) and Digger (F 859 / JH 29). It is also possible that he appears in Sower (F 866a / JH 27) and Kneeling man, planting (F 879 / JH 62).

2. For Bargue's Exercises au fusain, see letter 156, n. 12. In addition to the digger mentioned in letter 173, four more diggers from the Etten period are known, as well as a man leaning on his spade. Digger (F 859 / JH 29) is depicted in letter sketch D in the present letter, while the Man leaning on his spade (F 861 / JH 40) is related to letter sketch E. To be sure, Digger (F 860 / JH 38) displays similarities to letter sketch B, but the drawing’s relatively small size (29.5 x 22 cm) suggests that Van Gogh did not consider this version to be one of the figure studies, because they were much larger, i.e. the same size as the Bargue sheets (ll. 41-42). The other two drawings of diggers are F 855 / JH 43 and F 860a / JH 42. It cannot be ascertained whether the somewhat divergent leaning peasant and the last two diggers – of whom Van Gogh made no sketch – belong to the five drawings referred to here.

3. At this time Van Gogh made a number of figure drawings of sowers on large sheets. Letter sketch K is derived from the drawing Sower with a basket (F 865 / JH 25). The corresponding drawing F 1675 / JH 26 is much smaller and therefore cannot be the one referred to. Other surviving drawings are Sower (F 856 / JH 17), Sower (F 858 / JH 18), Sower (F 866a / JH 27) and Sower with a sack (F 862 / JH 31). The composition of the last drawing is the same as that of letter sketch L. Later on in the letter Van Gogh again mentions a sower holding a basket, so it is obvious that when he says ‘twice a sower’ he is referring to variations and not to two identical depictions.

4. If Van Gogh means a figure like the woman in letter sketch J, then the drawings are not known.

5. The largest version of this subject is Woman peeling potatoes (F 1209 / JH 22 ); the smaller one is F 1213 / JH 23 , with the same title. The subject is depicted in letter sketch G (F - / JH 28).

6. This drawing of a shepherd is not known.

7. This is the drawing Man sitting by the fireplace (‘Worn out’) (F 863 / JH 34 ), of which letter sketch F gives an impression. The model was Cornelis Schuitemaker (see letter 286, n. 4).

8. This list of subjects does not include the man with a winnow depicted in letter sketch I; the relevant drawing is Man with a winnow (F 891 / JH 24).

9. ‘I’m no longer... as I used to be’ was added later.

10. Artificially produced chalk enclosed in a cylinder of wood, like a pencil. The mention of the brand name Conté does not necessarily mean that the chalk was actually made by Conté, since by then this had become the generic name.

11. A rolled-up piece of chamois or paper, pointed at both ends, used to rub the drawing medium in pencil or chalk drawings in order to obtain nuances, such as shadow effects.

12. The drawing Storm clouds over a field (F 1676 / JH 36 ) measures 46 x 49 cm.

13. This sentence seems to refer to letter sketch L. Van Gogh therefore means that he made two drawings of sowers: the one reproduced in this letter sketch and the Sower with a basket (F 865 / JH 25). See n. 3 above.